You can separate the timeline and edit selections by clicking on the 'separate' button that is to the right of the Keyboard Focus button so it isn't highlighted.Ĭopy edit selection to timeline selection and vice versa These work only when you are working with the timeline and edit selections separated. This is very useful for checking whether you have included or excluded a particular element of audio from an edit selection. Play from the end of the selection by the post-roll setting: alpha key '9'.Play up to the end of the selection by the pre-roll setting: alpha key '8'.Play from the start of the selection by the post-roll setting: alpha key '7'.Play up to the selection using the pre-roll setting: alpha key '6'.When you have a potential edit highlighted, this group of commands allows you to: Play to, or from, an edit point by the pre- or post-roll settings: alpha keys '6' to '9' This is the same as going up to the toolbar and clicking on the zoom in button, or using the Command/Ctrl+']' shortcut when not in Keyboard Focus mode. This is the same as going up to the toolbar and clicking on the zoom out button, or using the Command/Ctrl+'[' shortcut when not in Keyboard Focus mode. This will put the end of an edit selection in the centre of the Edit window. This will put the start of an edit selection in the centre of the Edit window. If you press 'E' again, it will take you back to the previous zoom setting. a highlighted selection on a track, rather than a timeline selection) to the width of the Edit window. To save your own zoom values as presets, adjust the horizontal zoom to suit and then Command+click on the Mac, or Ctrl+click on Windows, on the appropriate button to save the preset. Snap end of selected region to play head: 'K'īy using the numbers '1' to '5' on the main part of the keyboard (not the numeric keypad), you can access the five preset horizontal zoom settings that appear as five buttons just below the zoom buttons in the Edit window.Snap sync point of selected region to play head: 'J'.Snap start of selected region to play head: 'H'.This group of commands allows you to snap your selected region to the play head position. Snap end of selected region to timecode: 'I'.Snap sync point of selected region to timecode: 'U'.Snap start of selected region to timecode: 'Y'.Pro Tools will obviously need incoming timecode from a slaved machine for this to work. When you have 'parked' your machine at a suitable timecode position, these three commands allow you to spot the highlighted region in Pro Tools to the 'parked' timecode position. There is a small set of additional Keyboard Commands Focus commands that relate to timecode features or the use of a stationary play head, and are available only in TDM versions of Pro Tools. Also, you may find it helpful to look either at a real QWERTY keyboard or the photo on the right, as the commands are grouped together in areas of the keyboard to make them as intuitive as possible. There is a 'pain barrier' to go through to get the Keyboard Focus shortcuts into your way of working, but rest assured it will be worth it! If you have the chance, it might be worth going through this learning curve with a project where the deadline isn't too pressing. Good news for those who work with both Windows- and Mac-based systems that, unlike some other shortcuts, the Keyboard Focus shortcuts are the same for both platforms. These are available to use on all Windows- and Mac-based Pro Tools systems, with only a few timecode-related limitations on the LE systems. You can enter Keyboard Focus mode by clicking on the the button, which is located just below the zoom buttons in the Edit Window. This can be a real boon in many situations, as it turns most of the keys on the QWERTY keyboard into shortcuts that don't require you to hold down a modifier key. The more shortcuts you know, the better, because you move your mouse less and become more productive.Īs well as conventional keyboard shortcuts involving a combination of standard keys and 'modifier' keys such as Ctrl and Alt, Pro Tools also provides something called the Keyboard Commands Focus mode. Keyboard shortcuts have been with Pro Tools from the start, and the number of shortcuts in the program has grown as the system has developed. Most people find that learning keyboard commands for their DAW enables them to get things done faster, and for the advanced user, Pro Tools has a special mode which turns the entire QWERTY keyboard into a bank of one-press shortcuts.
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